Narrative shorts, commercials and TVCs, branded founder and product films, music videos, and documentary portraits. The thread across all of them is a story-first, director-led approach rather than a checklist service.
It depends on type, runtime and how big the production needs to be. Narrative shorts and documentaries often start around S$6,000–9,000; commercials with a full unit run higher. The Project Enquiry Estimator gives you an honest budget band in under a minute — it is a guide, not a fixed quote.
Singapore is home and where most projects are based, but I travel for the right story and have shot across the region. Out-of-country shoots are quoted with travel and local crew factored in.
Yes. If you already have a producer and a team, I can come in purely as director — bringing a treatment, shaping the shoot on set, and supervising the edit to your timeline.
A typical commercial or branded film runs four to eight weeks from brief to master. Narrative shorts and documentaries take longer because rehearsal, access and edit time matter more. I give you a realistic schedule in the treatment.
Often, yes. I co-write or write most of my narrative and branded work, and I always shape the structure even when a brand provides the words. Writing and directing in one head is part of why the films feel cohesive.
A fully graded master in the formats you need, plus every cutdown agreed up front — broadcast, web and vertical social edits — with captions where useful. Festival projects also get screening masters and trailers.
You see a first cut early in the edit, and we refine within an agreed number of rounds before the grade locks. Anything beyond that is quoted transparently. No surprises.
No — Ezra Koh is a fictional director, and SGBP made this demo so you can see how a film-director portfolio behaves before commissioning your own. The films, awards and clients are invented for the demo.